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电视剧贴近世俗生活的大众化特点,决定丁它毋须追求过高的艺术自尊与思辨性,主要只着眼于可观赏性与精神娱乐。从这个意义上说,近几年影视圈人士不断从古典名著、历史轶闻乃至民间传说里勾沉索稽,挖掘出大批生动有趣的优秀故事,乃是繁荣中国荧屏创作不可忽视的重要一翼。然而,在古典题材越拍越“热”,“新编”、“戏说”蔚然成风的同时,人们也不无忧虑地看到,古装电视剧“不知有汉,遑论魏晋”、粗制滥造、以讹传讹的现象日渐严重,猎奇炫巧、向壁虚造、张冠李戴、随心所欲等不良创作倾向也在暗滋潜长……一
The popularity of the drama close to the secular life has determined that it should not pursue excessive artistic self-esteem and speculativeness, but mainly focuses on ornamental and spiritual entertainment. In this sense, in recent years, film and television circles continue to learn a great deal from the famous classics, historical anecdotes and even folk legends, and dig out a large number of vivid and interesting stories. This is an important wing that can not be ignored in the prosperous Chinese screen creation. However, while more and more “hot”, “new” and “jokes” have become commonplace in the classical themes, people can see without any worries that the ancient TV series “I do not know Chinese people, not to mention the Wei and Jin Dynasties” Increasingly serious, adventurous odd surprisingly, to the wall fictitious, Zhang Dai Li Dai, such as unintentional creative tendency is secret dark potential ... ... a