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贝尔格第一钢琴奏鸣曲是一首二十世纪自由无调性表现主义的代表作,作品中从主要的三个音乐动机开始不断演变,之后在力度与音域的作用下将作品推向高潮。本文通过对音乐动机阐释与具有代表性的和弦的分析,从而为钢琴演奏中提供一定理论上的提示。
The first PGB Sonata of Bergs is a representative of the free ontology expressionism of the twentieth century. The work begins with the evolution of the main three musical motives and then takes the work to a climax under the influence of intensity and range. This essay provides a theoretical suggestion for piano performance through the analysis of musical motivations and representative chords.