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在中国的戏曲表演艺术中,锡剧作为华东地区的主要剧种,其艺术内涵是极为丰富的。喜剧的行可以划分为五行,即生、旦、净、末、丑,其中的丑行在戏曲表演中起到活跃舞台氛围的作用。虽然在锡剧中有丑行,事实上锡剧更为注重优美的女性形象塑造,使得锡剧表演中并没有严格意义的丑行存在,导致后人对锡剧的学习中,已经忽视了丑行,对锡剧文化的传承非常不利。本论文针对锡剧丑行的表演艺术展开研究。
In China’s drama performance art, tin drama as the East China’s main operas, its artistic connotation is extremely rich. Comedy’s line can be divided into five elements, that is, students, den, net, end, ugly, one of the ugly act in theatrical performances play an active stage atmosphere. Although there are scandals in the tin operas, in fact the tin operas pay more attention to the graceful shaping of the female characters, making the scandal in the tin operas have no strict meaning. As a result, the descendants have neglected the scandal in the study of the tin operas and the inheritance of tin opera culture Very unfavorable. This dissertation aims at the performance art of the tin opera ugly line.