多元的范式世界艺术图景中的东方现代电影陈山若将东、西方现代电影放在世界艺术图景中“打通”来“读解”，便能呈现出被单一的视点所遮蔽的艺术命题来。八、九十年代之交，现代电影的范式正在悄悄地发生变革。在西方电影的核心国，出现了一些引人注目的疏离主流的艺术... Multiple Paradigms 东 Oriental Modern Movies in the World Art Landscape Chen Shanruo can present an artistic proposition obscured by a single point of view by “opening up” and “reading” the East and West modern films in the world art scene. Eight, the turn of the 90s, the paradigm of modern film is quietly changing. In the heartland of western movies, there have been some strikingly alienated arts.