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在海派画家群体中,普通画家与著名画家的生存状态大相径庭,他们为了实现社会身份的认同,必须经常性地参与公共事务。本文以洪庶安为例,揭示海派普通画家通过参加各种性质的展览会,参与各种艺术社团活动等,获得身份认同,并通过书画赈灾等慈善行为尽画家的社会责任。普通画家的这些行为,既是他们自我身份认同的途径,也是民国时期海派艺术繁荣景象的重要组成部分。
In the group of Shanghai artists, ordinary painters and famous painters have very different living conditions. In order to realize their identity, they must participate regularly in public affairs. This article takes Hong Shuan as an example to reveal that Shanghai ordinary painters got their identity through taking part in exhibitions of various kinds and participating in various art associations and social responsibilities of painters through charity such as painting and calligraphy relief. These acts of ordinary painters are not only a means of their self-identity, but also an important part of the prosperity of the Shanghai art in the Republic of China.