焦广盛先生在创作中循宋之隐逸严羽《沧浪诗话》言:“羚羊挂角,无迹可求……如空中之音,相中之色,水中之月,镜中之象,言有尽而意无穷。”作画讲求画幅有尽而意蕴无穷。在保留了传统方式的同时借鉴了西方的技法,诗情与画意并重,刻画精微,内涵丰富,以阳刚之美表现鲜明的个人风格,被业界前辈称作 Jiao Guangsheng Song in the creation of reclusion by the reclusive Yan Yu “Canglang Poetry” words: “antelope hanging angle, no trace to seek ... ... such as the sound of the air, the color of the phase, the moon in the water, mirror the image of the words There are infinite possibilities. ”Paintings emphasize the picture exhaustive and implication. While retaining the traditional way, it draws lessons from western techniques. It pays equal attention to both poetic and pictorial meanings. Its portrayals are subtle and rich in content. The masculine beauty manifests a distinctive personal style and is known by the forerunners of the industry