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五位摄影师,以水为起点,借用手中的相机,沿着生活的轨迹,寻找理想彼岸。他们的拍摄立足定位,有从中国经济全球化发展潮流出发,如张晓拍摄的《海岸线》;有借宏大叙事背景“理性”静观,如肖萱安拍摄的《156水位线下的逝去风景》、有从人与自然关系介入,如黎明拍摄的《家园》;也有“只关乎个人”的心境,如王远凌拍摄的《江》;甚至还有把生活当梦境一样游走的灵魂,如李红强拍
Five photographers, using water as a starting point, borrow the camera in hand and follow the path of life to find the ideal bank. They are based on the positioning of the shooting, starting from the tide of economic globalization in China, such as Zhang Xiaoshu’s “coastline”; with a grand narrative background “rational ” wait and see, such as Xiao Xuanan shooting There are also “homesteads” involved in the relationship between man and nature, such as dawn shooting; there are also “personal” mindsets, such as the “river” filmed by Wang Yuanling; and even the soul of life as a dream Li Hongqiang shoot