《谭嗣同》较之以往历史题材的影片,情节紧凑,内容充实,表现朴素,这是它独到的优点。但在具体的表现手法上,它还留有一些模式。首先,摄影角度单调。当慈禧得知光绪要发动政变,急忙赶回故宫。镜头俯拍慈禧进宫门,视觉上有一种新鲜感。这是全片唯一的稍有变化的镜头,正是它反衬出全片摄影角度的缺少变化。尤其人物面部特写,几乎占所有镜头的一半,当人物 “Tan Sitong” Compared with the past historical themes of the film, the plot is compact, full content, simple performance, this is its unique advantages. However, in terms of specific performance techniques, it still has some models. First, photography is monotonous. When Empress Cixi learned that the coup to be launched, rushed back to the Forbidden City. Empress shot Palace Empire into the palace, there is a visual sense of freshness. This is the only change in the whole footage, which is the contrast between the lack of changes in the perspective of the whole film. In particular, facial features close-up, accounting for almost half of all the shots, when the characters