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本届北京国际音乐节的节目计划在半年前陆续披露时,给关注者的印象总是缺少爆炸性或令人眼前一亮的新闻。长期以来,人们衡量北京音乐节的标准多以所谓的“名团、名家、名曲”为主导,以至于“柏林爱乐”来了之后,胃口便被吊到“维也纳爱乐”的层面;柏林德意志歌剧院缔造了《玫瑰骑士》和《汤豪舍》的盛况之后,人们更期待“纽约大都会”或“米兰斯卡拉”的重装登场;至于步西蒙·拉特尔和巴伦博伊姆后尘的到底是杨松斯还是阿巴多恐怕在最近几届的音乐节计划出炉之前都可能成为悬念。在这种应该说不是很健康、理性的普遍心理期待面前,本届音乐节的节目表上应该说几乎没有刺激性内容,相反当“过气”的霍格伍德和“生猛”的佩特连科联手打出“英伦组合牌”时,免不了会叫人产生深一脚浅一脚的不确定感觉。而早已混个脸熟的潘德列茨基、鲁策奇卡、上海四重奏、郎朗等再次成为主角,看来“难以为继”的传言并非危言耸听。
When the program of the Beijing International Music Festival is released half a year ago, the impression given to its followers is always lacking explosive or impressive news. For a long time, the standard for measuring the Beijing Music Festival has been dominated by so-called “famous groups, famous artists and famous songs”, so that after the arrival of “Berlin Philharmonic”, the appetite was lifted to Vienna Philharmonic “Level; Berlin Germani Opera House to create the” Rose Knight “and” soup house “after the event, people are more looking forward to” New York Mets “or ” Milan Scala “heavy equipment debut; as step Whether Simon Slater and Barenboim, or Jason Abbot, are the ones behind them, could be a suspense until the recent music festival plans come out. In this should not be said to be very healthy, rational psychological expectations before the general public, the current festival’s program should be said that there is almost no irritating content, on the contrary when the ”over-gas“ Hogwarts and Petrarch joined forces to play ”British combination card “, inevitably will cause people to have a deep sense of uncertainty. And long ago a mixed face Panderezky, Lucic Chica, Shanghai quartet, Lang Lang once again become the protagonist, it seems ”unsustainable " rumors are not alarmist.