本文从雕塑艺术的本体特征出发,阐述雕塑语言发展的流变过程。关注雕塑本体语言的拓展、创新,结合我国雕塑界出现的非雕塑化现象,同时坚定地提出遵循雕塑本体语言拓展的限定性原则是使雕塑艺术健康发展的根本。 This essay starts with the ontological characteristics of sculpture art and expounds the changing process of sculpture language development. Concerned about the extension and innovation of the sculpture ontology language, combined with the non-sculpture phenomenon appeared in the sculpture field in our country, we also firmly propose that the restrictive principle of following the development of the sculpture ontology language is the foundation for the healthy development of the sculpture art.