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中国当代漆画的贫弱和在当代艺术中的边缘化.已是艺术界不争的事实。一方面,当代漆画是一个古老而又年轻的画种.尽管它有着上下五千年的历史.但它真正成为一个独立的画种却是近二三十年的事情.因此说它古老而又年轻;另一方面.就目前为数不多的漆画创作者而言.可见其创作队伍的贫弱:还有从当代漆画作品的质量来看.在观念上也是甚为守旧而落后的。尽管我们不排除当今漆画界有像程向君先生那样锐意创新.独树一帜的艺术家.但整体而言.漆画界却还
The poverty and weakness of contemporary Chinese lacquer painting and its marginalization in contemporary art have become an undisputed fact in the art world. On the one hand, the contemporary lacquer painting is an ancient and young painting type.Although it has a history of 5,000 years, it has become an independent kind of painting but it is nearly twenty or thirty years, so it is ancient Young; on the other hand, as far as the few lacquer creators are concerned, we can see the weakness of their creative team: as well as the quality of the contemporary lacquer works, they are also conceptually conservative and backward. Although we do not rule out that there are artists in the paint industry who are determined to innovate like Mr. Cheng Xiangjun, but on the whole,