针对当代建筑师对建筑表皮关注的现象,从建筑师赫尔佐格和德默隆设计的沃尔夫信号站、2008年北京奥运会主体育场鸟巢方案、国家游泳中心水立方,再到2010年上海世博会各展馆建筑呈现给我们的视觉盛宴,以及对所谓后世博时代的探究,我们不难感受到很多建筑师都是在建筑的表皮上做文章,已将对设计中的建筑表皮元素的表现力关注推到了一定高度。建筑表皮的视觉彰显有其时代根源。信息时代,信息的传播与交流全球化、快捷化,足不出户即可观晓天下事。同样在建筑评论的信息获取中,图片模式不知不觉已占有主导地位,而需要实地考察的建筑空 In response to contemporary architects’ concern for architectural skins, the Wolff Signal Station designed by architect Herzog and Demmeron, the Bird’s Nest program of the 2008 Beijing Olympic Stadium, the National Aquatics Center Water Cube, and then Shanghai 2010 It is not difficult for us to feel that many architects are making an epicurean on the surface of the building, and have already expressed their opinions on the design of architectural skin elements Force concerns pushed to a certain height. Visual manifestations of architectural epoch have their roots in the times. In the information age, the dissemination and exchange of information are globalized and fast-moving. Also in the building review of information access, the picture mode has dominated the unknowingly, and need to visit the building empty