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由曹禺原著、万方改编、金湘作曲的歌剧《原野》是我国一部经典的民族歌剧,二十多年来盛演不衰。随着时代的变化发展,歌剧《原野》历经几代歌剧创作者孜孜不倦的探索,发展到歌剧《原野》多个版本的成功制作。论文从版本流变的视角对三个具有代表性的歌剧《原野》版本中女主人公金子的人物形象塑造的艺术语言进行了比较研究。通过分析研究,论文试图论证歌剧《原野》的多版本的金子形象具有“叛逆女性”→“青春女性”→“东方女性”的流变过程,而“金子”这一女性艺术形象的流变与革命话语、商品时代、全球化不同的政治文化语境有关。
The opera “Wilderness” composed by Cao Yu and Wanfang and composed by Jin Xiang is a classic Chinese national opera, which has not staged its debut in more than 20 years. With the change and development of the times, the opera “Wilderness” has been explored by generations of opera creators and developed into successful productions of several versions of the opera “Wilderness”. The thesis makes a comparative study on the artistic language shaped by the character images of the heroine’s gold in the three representative versions of the opera “Wilderness” from the perspective of the change of version. Through the analysis and research, the thesis attempts to demonstrate that the multi-version gold image of the opera “Wilderness” has the transformation process of “Rebellious Woman” → “Youthful Woman” → “Oriental Woman”, and “Gold” The evolution of a woman’s artistic image is related to the revolutionary discourse, the commodity era, and the different political and cultural contexts of globalization.