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庄子与孟子分别是道家与儒家的代表人物,庄子的美学思想体现了其追求“无为”、“逍遥”的哲学思想,追求的是一种自然之美,是一种超功利的美。而孟子的美学思想体现了其善与美的统一,追求的是一种充实之美,是一种带有功利性的美。但两者的美学思想都蕴含着先秦的理性精神,着眼与功能、关系、韵律,体现了中国古典美的“中和”原则。两者美学思想在道、儒哲学思想的基础上,既离异而对立,又相互补充而协调,从内容到形式不断给中国艺术发展提供新鲜动力,本文将对庄子与孟子的美学思想做进一步的论述。
Zhuangzi and Mencius, respectively, represent the representatives of Taoism and Confucianism. Zhuangzi’s aesthetics reflects his philosophical thinking of pursuing “Inaction ” and “Happy ”, pursuing a natural beauty and a super utilitarian beauty . However, Mencius’s aesthetics reflects its unification of goodness and beauty. It pursues a fullness of beauty and is a utilitarian beauty. However, both aesthetic thoughts contain the rational spirit, focus and function, relationship and rhythm of the pre-Qin period, embodying the principle of “neutralization” in Chinese classical beauty. On the basis of Taoism and Confucianism, both aesthetic ideas are not only divorced, but also complement each other and coordinate with each other. From the content to the form, they provide fresh impetus to the development of Chinese art. This article will make a further study of Zhuangzi and Mencius’ aesthetics Discussion.