两宋以前的画家几乎都是工匠,他们大都是无名的,以人物花鸟为主,作画精微,为有色的工笔画,而两宋后的画家则向文人转变,他们多以山水为主,用写意的手法,画黑白无色的作品。中国文人通过自己的作品来抒发自己的思想感情,或高洁的情操,或隐逸的形态,对中国古典绘画产生了巨大的影响。下面以苏轼为案例,从正反两个方面说明中国文人对中国古典绘画的影响。首先是中国文人对古典绘画的有利影响:中国社 Most of the painters before the Song Dynasty were artisans. Most of them were nameless, they were mostly flower and bird, they were subtle and painterly painters, while painters of two Song dynasties turned to literati. Freehand brushwork, painting black and white colorless works. Chinese literati have great influence on Chinese classical painting through their works to express their own thoughts and feelings, noble femininity and seclusion. The following takes Su Shi as an example to illustrate the influence of Chinese literati on Chinese classical painting from both positive and negative aspects. The first is the favorable influence of Chinese literati on classical painting: Chinese society