清代诗评家沈德潜以“魏响”来概括曹丕诗歌的特色,并与其父曹操的“汉音”相对立。本文通过对曹丕具体作品的分析研究,指出所谓“魏响”的内涵大体包括三个方面:一是放弃工具性,没有明确的政治伦理方面的功利目的,基本是为满足一己的审美需要而作;二是弱化叙事,重在抒情,并且往往抒发与普遍人生经验相关的悲哀之情;三是追求藻饰,文词趋于华丽。曹丕作品中有若干例外,但例外正好表明了他的常规。中国文人抒情诗大抵是沿着“魏响”的路子发展下去的。 Qing dynasty poet Shen Deqian summarizes the features of Cao Pi’s poems with “Wei Xiang” and confronts his father Cao Cao’s “Han Yin”. Through the analysis and study of Cao Pi’s specific works, this paper points out that the connotation of the so-called “Wei Xiang” generally includes three aspects: First, to abandon the utilitarian purpose of utilitarianism and political ethics, and basically to meet the aesthetic needs of oneself ; The second is to weaken the narrative, focusing on lyrical, and often express the sorrow associated with universal life experience; third is the pursuit of algae decoration, words tend to gorgeous. There are several exceptions to Cao Pi’s work, but the exception shows exactly what he does. Chinese literary lyrics mostly follow the path of “Wei Xiang”.