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本文将从元小说的角度,解读冯内古特的短篇小说《汤姆·爱迪生的长毛狗》。该小说不仅讲述了一个具有后现代风格的高度游戏化的故事以娱乐读者,还通过对比暗含了讲故事的技巧问题。与大多数明确指涉讲故事的模式、技巧和构思困惑等元小说不同,这个短篇小说的高妙之处在于,作者省去了那些直接的自我指涉议论,让它以间接的方式呈现,克服了大多数元小说对故事完整性的割裂和娱乐性的破坏。
This article will analyze Vonnegut ’s short story Tom Edison’ s Shorthaired Dog from the perspective of novels. The novel not only teaches a highly gamified story of a postmodern style to entertain readers, but also by contrast implies a story-telling technique. Unlike most metafiction, which explicitly refers to storytelling patterns, techniques, and conceptual puzzles, the beauty of this short story is that the author dispenses with direct self-referential arguments that make it appear in an indirect way and overcome Most yuan novels on the integrity of the story of the fragmentation and entertainment destruction.