就像很多美好的事物在我们身边慢慢消失一样,大漆,这种原本非常普遍的工艺原料,现在却难觅踪迹。但是,也仍然有十分重要的艺术家,默默地探索传统材料运用于当代艺术创作的可能性。本期[时代人物]推介的漆画家乔十光和[本期名家]推介的油画家苏笑柏,就是其中的代表。本期[现象]邀请了几位出生在1980年后的青年批评家,请他们谈谈“‘80后’批评什么?”面对如此多元和多变的美术现实,这些“明日之星”们又有什么独特的见解呢? Like many beautiful things slowly disappear around us, lacquer, this is a very common raw materials of art, but now hard to find trace. However, there are still very important artists who quietly explore the possibility of applying traditional materials to contemporary artistic creation. One of the representatives of the painter Qiao Shuguang, a painter recommended by this issue of “Time”, and Su Xiaobai, an oil painter promoted by [this issue of famous artists], are one of them. This issue [phenomenon] invited a number of young critics who were born after 1980 to ask them to talk about what they criticized after the ’80s.’ “In the face of such a diverse and ever-changing art reality, these” tomorrow’s Star "What are the unique views?