论文部分内容阅读
最近一段时间,国内再度兴起了一股西方艺术大师的引进展览,从梵高到雷诺阿,从毕加索到劳森伯格,听说,安迪沃霍尔的中国首展也即将在上海举办。个时间,国内原本处于歇夏期的艺术行业,因为这些大师的频频到来而变得热闹了许多。大师展览的引进无论从何种角度而言,对于国内的艺术从业者和爱好者都是一件利大于弊的好事儿,但就是这些原本应该被业界交口称赞的引进展览,却因为一些现实原因而变得有些尴尬。之所以说是现实原因而不是客观原
Recently, an introduction exhibition of Western art masters emerged again in China. From Van Gogh to Renoa, from Picasso to Rauschenberg, I heard that Andy Warhol’s China first exhibition will be held in Shanghai soon. For a time, the art industry in the country, which was originally in the summer break, became bustling with the frequent arrival of these masters. The introduction of Master’s Exhibition no matter from what point of view, for domestic art practitioners and enthusiasts are a good thing outweigh the disadvantages, but that is, these should have been acclaimed by the industry to introduce the exhibition, but for some real reason And become a bit embarrassed. The reason is the reality rather than the objective