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尽管戏曲研究在古代文学艺术研究的各个领域中属于第三世界,研究者少,投入力量小,显得有些冷清。但正是这种较为边缘的境况使戏曲研究在世风沉沦、学术浮躁的当下反能得以保持较为良性的发展态势。自上个世纪90年代以来,一批年轻学人加入到戏曲研究的队伍,他们以自己较为扎实的成果使研究不断走向深入,给学界带来新的气象。近读李舜华的《礼乐与明前中
Although opera studies belong to the third world in all fields of ancient literature and art research, with few researchers and little input, it seems a bit deserted. However, it is this relatively marginal situation that makes the study of drama a more benign trend of development in the present world when the world is sunk and the academic impetuous moment can not. Since the 1990s, a group of young scholars have joined the ranks of opera studies. With their more solid achievements, they have made the research deepening and bringing a new atmosphere to the academic community. Li Shunhua recently read the "ritual and pre-Ming