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纵观我国的设计历程,从史前玉器到彩陶、青铜器、宫殿、庙宇、舟车、瓷器和家具等,无不是实用功能和审美意识的完美结合,并有鲜明的文化属性,为世界设计史留下了浓墨重彩的一笔。在科学技术和经济腾飞的中国,艺术设计更是凸显出强大的生命力。然而,我们也看到,在侧重功能和追求经济效益的大环境下,现代设计中的本土文化意识却有所减弱,这对现代设计非常不利。本文认为,现代设计中的审美不能仅仅停留在“艺术美”的自然法则上,而是要和哲学、美学、心理学和历史学等文化因素广泛联系,在较高层面上提升现代设计的审美意识,这对于现代设计事业有一定的现实意义。
Throughout the design history of our country, everything from prehistoric jade to painted pottery, bronze ware, palaces, temples, boats, porcelain, and furniture is a perfect combination of practical functions and aesthetic awareness, with distinctive cultural attributes, leaving behind the design history of the world Outstanding touch of color. In science and technology and economic development in China, art design is even more prominent vitality. However, we also see that under the environment of focusing on functions and pursuing economic benefits, the local culture awareness in modern design has weakened, which is very unfavorable to modern design. This paper argues that the aesthetic in modern design can not only stay in the natural law of “beauty of art ”, but also has extensive contact with cultural factors such as philosophy, aesthetics, psychology and history to promote modern design at a higher level Aesthetic sense, which has some practical significance for the modern design career.