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歌舞百戏是两汉表演艺术的主体,是最受大众欢迎的流行娱乐方式,其表演呈现出综合性的特征,有着高超的技巧和丰富的内容。它是随着汉代综合国力的提升、经济文化的发达而兴盛起来的,它印证了汉代文化雄大的气魄、海纳百川的气度和兼容并收的精神,是我国表演艺术的一个高峰,它也证明汉代城市的生活水平,已经提高到一个空前的高度。本文将汉赋与画像石结合起来研究汉代文学、社会,认为汉赋在叙写社会生活场景方面是基本上如实描摹的,汉赋与画像石是互相可以印证的。
It is the main body of the performing arts in Han Dynasty and the most popular way of entertainment in the two countries. Its performances are comprehensive, with superb skills and rich contents. It is flourishing with the improvement of comprehensive national strength and economic and cultural development in the Han Dynasty. It confirms the great courage, magnanimity and compatibility of the Han Dynasty, which is a peak of the performing arts in China. It also proves that the Han Dynasty The city’s living standards have risen to an all-time high. This paper combines Hanfu and portrait stone to study the literature and society in Han Dynasty, and holds that Hanfu basically describes the scene of social life vividly, and Hanfu and portraiture stone can confirm each other.