作为英国直面戏剧的代表,萨拉.凯恩的戏剧充斥着暴力与血腥,挑衅与激进。然而在凯恩的后期作品中,直面的特征开始变得微弱,存在主义的荒谬更为突出。这种戏剧形式的转变也印证了凯恩的生命历程。 As a representative of the British face theater, Sarah Kane’s drama is full of violence and bloody, provocative and radical. However, in the later works of Kane, the features of confrontation began to weaken, and the absurd existentialism became more prominent. This change of theater form also confirms Kane’s life course.