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用后殖民理论家霍米.巴巴的“混杂”理论研究赫斯顿的作品《摩西,山之人》,分析该作品中对西方经典圣经和黑人民间文化的杂糅以及对标准英语和黑人方言及布道词的混杂使用,并指出该作品对于边缘的黑人文化的重视来自于赫斯顿的文化相对主义视角,与此同时,赫斯顿也关注黑人文化与白人文化的协商和交流,突破了文化相对主义的保守性,这种彼此混杂的文化现象暗合了霍米·巴巴所述的“第三空间”。
Using Postmodernist Homi Baba’s theory of “mixed” research Hearson’s work “Moses, the mountain of people”, analysis of the composition of the Western Bible and black folk culture hybridity and standard English and black Dialect and etiquette, and points out that the emphasis of the work on marginalized black culture comes from Heston’s perspective of cultural relativism. At the same time, Heston also pays attention to the negotiation and exchange of black culture and white culture, The conservative nature of cultural relativism, a mixture of cultural phenomena that coincides with the “third space” described by Homi Baba.