论文部分内容阅读
本文从视觉产生的生理与心理机制出发，对传统的“透而视之”的透视概念提出质疑，并从”简约眼”成像规律入手，分析绘画透视学中的基本问题。
Based on the physiological and psychological mechanism of vision, this paper questions the traditional concept of “perspective” and analyzes the basic problems in the perspective of painting perspective from the perspective of “simple eye” imaging.