“南氏笔路”、“南氏晕点”的云言雾语,使南溪作品带上了一种形上学指向,而诡异3D,又加重了作品的禅机玄境。在这里,笔墨为母体,3D为幽灵。在图像爆炸的时代,绘画对网络、影视、多媒体、广告、设计、摄影等等一切图像的采用已经不是问题,敞开胸襟自由地挪用、改造、转换、拼接、混搭、并置任意图像,在今天已经成为丰 “Nankishi Tetsuya ”, “South’s halo point ” Yunyan fog, so that the works of Nanxi brought a metaphysical point, and strange 3D, but also aggravate the works of Zen metaphysics. Here, the pen and ink as the mother, 3D as a ghost. In the era of image explosion, painting is no longer a problem for all the images of networks, films, multimedia, advertising, design, photography and so on. It is open-minded to freely diversify, transform, transform, combine, Has become rich