20世纪70年代末、80年代初惹起激烈争论的电影文学剧本《在社会的档案里》多年来消失在当代文学史的主流论述中。本文重返“改革”起源阶段的历史现场,分析剧本创作座谈会、《时代的报告》、《文艺报》三方基于不同的思想立场对于《在社会的档案里》的阐释与论争,并结合对于作者王靖本人身世的考证、思想脉络的辨析与周边文本的细读,讨论作为《在社会的档案里》思想核心的“格瓦拉主义”与“新时期”的复杂关联,并以此反思如何超越当下“新左派/自由主义”的思想分野,回到纷争背后贯穿于当代中国历史实践的问题本身。 In the late 1970s and early 1980s, the fictional literary script “in the archives of society” disappeared over the years in the mainstream discourse of contemporary literary history. This article returns to the historical scene of the stage of origin of “Reform ”, and analyzes the explanation and argument of “three chapters in the social archives” based on different ideological standpoints of the script writing symposium, the “report of the times” and the “literary arts newspaper” Combining with the research on author Wang Jing’s own life experience, the differentiation of ideological contexts and the close reading of the surrounding texts, the complexity of “Guevaraism” and “New Age” as the core of “the archives in society” In this way, we can reflect on how to transcend the current “new left / liberalism” ideological divide and return to the issue behind the dispute that runs through the historical practice in contemporary China.