《中外影剧》1987年总第四十九期载陈仕元《重温“改人改制改戏”》。文中说,“改人、改制、改戏”是建国初期中央政务院对戏曲改革的指示。今天重温“三改”,赋予新的内容,很适用于粤剧的综合治理。关于改人问题.实际上是队伍的思想建设问题,要在队伍中造成一种良好的政治空气,树正气,压邪气,人人有理想、有修养、守纪律、思改革。关于改制问题。第一,是关于粤剧团的布局问题。粤剧是否可以按社会需要办剧团?第二,我们国家经济还不够发达,利用社会资助的办法办剧团是个好办法。第三,尖子人才的工资必须千方百计地大幅度地提高。关于改戏问题,最好是多讨论研究,多些鼓励,少一 “Chinese and foreign theaters,” the total forty-ninth in 1987 contains Chen Shiyuan “relive” change the system to play “.” The article said that “reform, reform, change the game” is the early days of the founding of the Central Government Department of the opera reform instructions. Reviewing the “three reforms” today and giving new content is very applicable to the comprehensive management of Cantonese opera. On the question of changing people, in fact they are the ideological problems of the ranks. We must create a good political atmosphere within our ranks. Trees are righteous, pressure evil, everyone has ideals, discipline, discipline and reform. On the issue of restructuring. The first one is about the layout of the Cantonese opera troupe. Can Cantonese opera be run according to the needs of society? Second, our country’s economy is still underdeveloped. It is a good idea to use social-funded methods to organize theater troupes. Third, the wages of top-notch talents must be greatly improved in every possible way. On the issue of drama, it is best to discuss more research, more encouragement, less one