十年来我们剧院(中国青年艺术剧院)演了不少戏,可是一直没有很好地进行过总结,因此要我谈角色的创造,感到很困难,不知从哪里谈起。现在,组织上决定在全院展开一个提高艺术质量的学习运动,我非常兴奋。我想谈谈我在《万尼亚舅舅》里创造苏尼亚这个角色的体会,作为我学习的开端。我在苏尼亚的创造中,碰到很多困难,也正因为困难最多,留下的印象也就比较深刻。现在回忆和清理一下,对今后作总结或对其他角色的创造进行研究,也许会有些好处。创造苏尼亚之前,我对契诃夫的作品读的很少,也从未演过他的剧本中的角色。以前只听说契诃夫的剧本不好懂,也不好演,剧本中时常出现大段台词,但有时却又长时间没有台词或只有一两句台词。演员想从台词中特别是从间隔很长的简短台词中,去了解人物的内心世界,就会感到特别困难。而且,这次排戏的艺术指导普·乌·列斯里同志和导演孙维世同志要求的又严格,排演中便遇到了不少问题。当我读完《万尼亚舅舅》剧本后,我的确也有上述那样的感觉。苏尼亚这个人物,就是时常停很久才 In the past ten years, we have played quite a few plays in the theater (China Youth Art Theater), but we have not been able to conclude this well. Therefore, it is very difficult for me to talk about the creation of characters and I do not know where to talk about it. It is with great excitement that it is now up to the organization to decide on a learning movement to improve the quality of the arts throughout the hospital. I would like to talk about my experience of creating the role of Sunia in “Uncle Mania” as the beginning of my study. I encountered many difficulties in the creation of Sunya, and also because of the most difficulties, I was left with a rather deep impression. Now there may be some merit in recalling and cleaning up, in summing up the future, or in researching the creation of other roles. Before creating Sunya, I read very little of Chekhov’s work and never played a role in his script. He used to hear that Chekhov’s scripts are not well understood and do not perform well. There are often large paragraphs in the script, but sometimes there are no lines or only one or two lines for a long time. It is particularly difficult for an actor to know the inner world of characters from his lines, especially from a short, brief interval. Moreover, the commanding work of the dramatis personel, Comrade Pujul Leslie, and his comrades, Comrade Sun Weishei, were strict and required many rehearsal rehearsals. When I read “Uncle Wania” script, I really have the feeling above. This character of Sunia is often stopped for a long time