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在当代文学史上,革命历史主义小说曾一度充当了对“历史真相”解读的主要角色,二十世纪八十年代以来,这种“独白”式的民族历史叙述遭受了新历史主义小说的解构。独白式叙事实践的失败反证了对话意识对于把握历史真相的必要性。陈忠实在《白鹿原》中尝试打破以往的独白式话语,试图营造一种多音部合奏叙事模式,对话意识开始萌生,然而这种“复调叙事”并没有彻底实现,多种话语之间出现了失衡局面,对话模式还未发育成熟就走向夭折,这在很大程度上限制了《白鹿原》对民族“秘史”的呈现深度。
In the history of contemporary literature, revolutionary historicism once took the leading role in the interpretation of “historical truth ”. Since the 1980s, this “monologue” national historical narration has suffered from the neo-historicism Deconstruction of novels. The failure of monologue narrative practice proves the necessity of dialogue awareness for grasping the truth of history. Chen Zhongshi tried to break the previous monologue discourse in “White Deer Plains” and attempted to create a polyphonic ensemble narrative mode. Dialogue consciousness began to emerge. However, this kind of “polyphonic narrative” was not completely realized. There is a imbalance between the dialogue mode is not yet mature to die, which to a large extent limited the “White Deer” on the national “Secret History ” depth of presentation.