黄土高原久旱,直接效果就是北京刮黄风。气象学上叫做“吹沙天气”。就是这样的日子,我骑车顶着风去看青艺的小剧场戏剧《火神与秋女》。可能是陈顒的话在起作用。她曾不止一次向我提到,就是天上下着刀子顶着锅也要把小剧场建成功。这使我深受感动,表示一定要成为小剧场的第一批观众。国门洞开,八面来风,吹动了我国话剧界,使戏剧家们眼界开了,思路活了,小剧场运动应运而生。别的小剧场我也去过几个,但都不如青艺这个特色突出:它四周和屋顶都涂成黑色,没有窗户,象个“黑匣子”。剧场避光性很好,如果关上灯,整个剧场一片黑暗,观众可排除一切外界干扰,心无旁骛,专心致志地等待看戏。而当戏开始时,这个环境又利于调配灯光,取得满意的效果。同时,配上一套好的音响设备,愈发使观众觉得自己与整个剧场融为一体,与演出更加贴近。 A long drought in the Loess Plateau, the direct effect is Beijing shave yellow wind. Meteorology called “blowing sand weather.” It is such a day, I ride the wind on the roof to see Youth Theater drama “Vulcan and Autumn Girl.” It may be that Chen Huan’s words are at work. She has mentioned to me more than once that there is a knife in the sky and a small theater built on top of it. This touched me deeply and said I must be the first audience in a small theater. National opening, all directions, blowing the theater industry in China, so that the vision of the dramatists opened, ideas live, a small theater movement came into being. Other small theater I have been to a few, but not as outstanding characteristics of young arts: it is painted black and around the roof, no windows, like a “black box.” The darkness of the theater is very good. If the lights are turned off, the entire theater will be dark and the audience will be able to exclude all outside interference and concentrate on watching the movie. And when the drama begins, this environment is conducive to deployment of lighting, to obtain satisfactory results. At the same time, coupled with a good audio equipment, the audience feel more and more integrated with the theater, and the show closer.