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我国传统文化积淀与民族文化心理,形成了独特的中华民族传统的审美标准和理念,即重表现和含蓄,长于以有限表现无限。中国传统的绘画“留白”技法从形式上预留空白逐渐发展到思想感情表达上预留空白,诗画同源的传统,使得水墨之间的空白在文字间显示出趣味横生、璀璨多彩的独特艺术魅力。本文结合对唐代诗歌作品的解析,来探讨“留白”技法在文学作品鉴赏中传达出的独特的审美意蕴及其艺术价值。
The accumulation of traditional culture and the ethos of Chinese culture have shaped the unique aesthetic standards and concepts of the Chinese nation, that is, they have re-expression and implication, longer than their limited performance. The traditional Chinese painting techniques of “leaving white” gradually evolved from blank in form to blank in the expression of thoughts and feelings, and the tradition of the same origin of poetry and painting made the space between ink and wash appear interesting and vivid Colorful unique artistic charm. Based on the analysis of the works of poetry in the Tang Dynasty, this article explores the unique aesthetic connotation and artistic value conveyed by the technique of “leaving the blank” in appreciation of literary works.