原文作者(Margaret Kartomi)写作该文的目的是想通过自己的田野经历告知读者关于印尼苏门答腊岛属苏飞教派的daboih仪式及其音乐,并检验作者之前作为该文化局外人对daboih音乐的感受和分析。作者主要从两个方面来展开论述:一部分是对daboih仪式的具体描述;另一部分是作者分析自己田野过程中所遇到的困难而引出对民族音乐学研究方法(局内—局外、近经验—远经验、参与观察法、文化定势等)的讨论与思索;除此之外,作者还提供了许多宝贵的田野经验及其思考问题的方法等。相信阅读该文可为初入田野的同学提供田野经验及其理论思考。 Margaret Kartomi This article was written to try to inform readers of the daboih ritual and its music about the Sufi sect of Indonesia’s Sumatra through its own field experience and to examine the authors’ feelings and analyzes of daboih music as outsiders of the Culture Bureau before . The author mainly discusses in two aspects: one is the concrete description of daboih ritual; the other is the author’s analysis of the difficulties encountered in his field and leads to the research methods of ethnomusicology (bureau-bureaux, bureaucracy-near experience- Far experience, participation observation method, cultural orientation, etc.). In addition, the author also provided many valuable field experiences and ways of thinking about the problems. I believe reading this article can provide field experience and theoretical thinking for students entering the field.