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国内的审美超越研究,以“后实践美学”各家最为看重。潘知常的生命美学与杨春时的超越美学更是其中代表,形成了一定的学术影响力。生命美学与超越美学的审美超越理论虽然分属不同的美学体系,但是对两者进行深入分析,仍然可以归纳出一条承继线索。这条线索,外在地植根于两者审美超越理论的哲学基础中,内在地又通过各自审美超越理论的不同特征折射出来,使后实践美学的审美超越研究逐渐深入。
Domestic aesthetic beyond the study, “post-practice aesthetics ” each of the most valued. Pan Zhichang’s life aesthetics and Yang Chun’s transcendence aesthetics is one of the representatives, forming a certain academic influence. Although the aesthetic transcendence theory of life aesthetics and transcendence aesthetics belong to different aesthetic systems, it is still possible to conclude a succession of clues to the two. This clue is externally rooted in the philosophical foundations of the two aesthetic transcendental theories and intrinsically reflected through the different characteristics of their own aesthetic transcendence theories so as to deepen the aesthetic transcendental study of post-practical aesthetics.