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我在《热》剧中担任领奏兼配器,通常按照广东汉剧剧种的要求,曲作者把音乐唱腔设计出来,通过领奏的乐手到舞台上跟班和导演合作,加工修改,力求达到最佳演出效果。就《热》剧音乐唱腔的看法和配器创作谈谈我的一些体会。
In the “hot” drama, I play the soloist and accompaniment. Usually according to the requirements of the Cantonese opera dramas, the songwriters design the music aria and cooperate with the class and the director through the musician on the stage to make the modification and strive to achieve the best Performance effect. Talk about some of my experiences with the “hot” play music singing and accessories.