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本文对材料——现代艺术的主要语言载体,进行了初步探讨。文中指出材料已经不是一般形式上的视觉语言,它以其传统绘画无法比拟的众多优势为艺术家和观者提供了广泛的选择性空间,成为一种用来抒写艺术家心灵逸气的艺术语言。那么,它们是怎样如此恰当地承担起艺术表达的任务?艺术家是如何赋予材料以意义,观者又是如何欣赏它的?本文将从心理学的角度、从“表象”上解析它的语言。通过对艺术作品中材料语言运用的客观解读,阐释了对于艺术家或是观者,材料所扩展出的广泛空间又将我们带入一个崭新的艺术境界。
This article has carried on the preliminary discussion to the material - the main language carrier of modern art. The article points out that material is no longer a formal visual language. It offers a wide range of selective space for artists and viewers with many advantages unmatched by traditional painting, and becomes an artistic language used to describe the artist’s spiritual ambiance. So how do they properly assume the task of artistic expression? How does the artist give meaning to the material and how does the viewer admire it? This article will analyze it from the perspective of psychology Language. Through an objective interpretation of the material language used in the works of art, it expounds that for the artist or the viewer, the extensive space expanded by materials brings us into a brand new artistic realm.