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在学习民间音乐的活动中,我听到过不少流传在民间艺人和一般群众口头上的有关音乐的谚语。它反映了人们对音乐领域里各种各样问题的见解,有些是人民长期音乐实践的总结。它涉及的范围相当广泛,语言生动、有趣。在此试举二例,并谈谈我的浅见,愿和对此有兴趣的同志共同研究。巧胡拙笙浪荡笛“巧胡拙笙浪荡笛”这一句民间乐谚,形象化地对二胡、笙、竹笛三种乐器的不同性能和特点,作了准确而风趣的概述。二胡的性能特别精巧灵活,善于演奏各种复杂的音调,在民间丝竹乐队里,常常担任主奏的角色,也是民歌和许多地方戏曲的主要伴奏乐器,被称之为“主胡”或“正场胡琴”。因其表现力很强,对于各种速度较快的曲调,它都能胜任,故而称赞为“巧”。
In the course of studying folk music, I have heard quite a few proverbs circulating in the mouth of folk artists and the general public about music. It reflects people’s opinions on a variety of issues in the field of music, and some are the summary of people’s long-term musical practice. It covers a wide range of languages that are lively and interesting. I will try my best to give you two examples and talk about my humble opinion and I would like to study together with my colleagues who are interested in it. Qiaohu Shengzhu flute “Qiaohu Zhuosheng waved flute” This is a folk leong, figurative erhu, Sheng, bamboo flute three different performance and characteristics of the instrument, made an accurate and humorous overview. Erhu’s performance is particularly delicate and flexible, good at playing a variety of complex tones, folk singers and bamboos, often play the lead role, but also folk music and many local opera main accompaniment instrument, known as the “Lord Hu” or “ Field Huqin. ” Because of its strong expression, for a variety of faster melodies, it can be competent, it is praised as “clever.”