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经典中的经典谭霈生(中央戏剧学院教授):《死无葬身之地》的剧本当然是经典,但是根据经典剧本演出的剧目不一定是经典的。现在的演出导演艺术、表演艺术也是经典,所以是经典中的经典。能够看到一部经典中的经典是我的幸福,也是一种奢侈的享受。这部戏我十几年前看时有一些不满足的地方,也有一些与我对萨特剧本的理解对不上的地方,但这次看没有了这些感觉,比十几年前的那次演出更成熟完整了,而且对萨特剧作内在的情感意义体现得更充分了。我希望国家话剧院不要丢掉经典剧目演出,我认为一个剧院不是靠炒作,也不是靠评论家们捧起来的,而是靠演出剧目的水准来积累。作
Classics in the Classic Tan Yansheng (Professor of Central Academy of Drama): The script of “The Dead is Not a Place to Die,” of course, is a classic, but the repertoire based on the classic script is not necessarily classic. The performance of the current director of art, performing arts is also classic, it is classic in the classics. To see a classic classic is my happiness, but also a luxury to enjoy. There was something unsatisfying when I saw it over a dozen years ago, and there were some places that I could not understand with Sartre’s script, but I did not see these feelings more than I did a dozen years ago The performance is more mature and complete, and the intrinsic emotional meaning of Sartre’s plays is more fully demonstrated. I hope the National Theater will not lose the performance of the classic repertoire. I do not think it is up to the critics to play a theater. It is based on the performance level of the show. Make