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传统与现代的分野,不独是纯粹的图式表征,更重要的是其内在的美学理念和文化背景的变异。传统花鸟画因为特殊的拟人象征和文化属性,文化隐喻要超越图式和笔墨的审美,因此它在传统与现代的转型上的表征也更明显,体现在文化背景上,是对古典诗词的追认和扬弃。本期理论研究栏目选取了吴昌硕与齐白石的题画诗若干,并释之以潘天寿的《诗画融和相得益彰》一文,读者从中可以大致明了传统花鸟画图式语言的形成与文思、修养的关系,也不难理解诗是花鸟画的趣味、格调、品第之论的基石。20世纪中国文化观念的变换和语体的变化,使得某种意义上的“花鸟”与西方话语中的“静物”或“风景”消解了文化意蕴上的界限。这一转换也形成了学术追求、旨趣的变更。以林风眠为代表的革新派画家,在花鸟画中西融和之路上即作了积极且具有推动意义的探索,作于1926年的《东西艺术之前途》一文可以使读者约略理解他的学术背景和所秉持的艺术理念。需要说明的是,传统与创新的价值意义,在不同的学术立场上,可能会有截然相反的结论。对此,以一种宽容的“百花齐放,百家争鸣”的心态来看待,将会更有益于创作的自由。或如清人王概所言:“……然变者有胆,不变者亦有识。”读者当能自解。
The dividing line between tradition and modernity is not only a purely pictorial representation, but more importantly is the variation of its intrinsic aesthetics and cultural background. Because of its special anthropomorphic and cultural attributes, traditional flower-and-bird paintings surpass the aesthetics of illustration and ink, so it is more obvious in the transformation of tradition and modernity. It is reflected in the cultural background and the recognition of classical poetry And abandoned. This part of theoretical research selects a number of the title-painting poems by Wu Changshuo and Qi Baishi, and interprets it by Pan Tianshou’s “poetry and painting complement each other well.” The reader can roughly understand the relationship between the formation of the traditional flower and bird drawing language and Wensui and cultivation, It is also not hard to understand that poetry is the cornerstone of the taste and style of flowers and birds paintings. In the 20th century, the change of Chinese cultural concept and the change of style make the limits of cultural connotation disappear in a sense of “flower and bird” and “still life” or “landscape” in western discourse. This conversion also formed a change of academic pursuit, purpose. The revolutionary painter represented by Lin Fengmian made a positive and significant exploration on the road to Chinese and Western culture of flowers and birds. The article entitled “The Future of Eastern and Western Art” in 1926 can give readers a rough idea of his academic background and position Uphold the artistic concept. What needs to be explained is that the significance of tradition and innovation may have diametrically opposite conclusions in different academic positions. In this regard, with a tolerant “Hundred flowers bloom, a hundred schools of thought ” mentality to look, will be more conducive to the freedom of creation. Or as Wang Qing Wang said: “... ... However, those who change have courage, the same is also aware of those who change.” "When readers can self-solve.