“拖泥带水”是民族音乐学研究中一种整体观的比喻,它要求把研究对象放置到与之相关的真实生态环境中进行关照。本文从文化生态角度抓住赣北文化、地理、语言特点,把赣北山歌音乐形态旋律发展手法放在具体区域环境进行考察研究,对其唱法做了归纳与分类,并对赣北山歌音乐的传承与发展做了设想,以期让大众更好地认识赣北山歌。 “Drag and drop” is a metaphor of the holistic view of ethnomusicology research, which requires the research object to be placed in the real ecological environment related to the care. This paper, from the perspective of cultural ecology, grasps the characteristics of culture, geography and language in the north of Jiangxi Province, puts the method of developing melodic forms of the northern Jiangxi folk songs in a specific regional environment for study, summarizes and classifies its singing style, Inheritance and development made a vision, with a view to let the public better understand the folk songs in northern Jiangxi.