在众多的艺术品收藏门类中,紫砂壶在藏界始终得到高度的重视,多年来深受人们的喜爱。远在明代,紫砂壶就以文人的风骨傲然于世,从而伴随着文人雅士、贵族大夫们近几百年来的藏与赏。从造型、材质、工艺等各方面的发展来看,紫砂壶始终脱离不了人文思想的倾注和结合。它既从文人的手中脱颖而出,又在文人的手中悄然生花。紫砂壶风雅、趣味性的情怀,妙不可言地在壶上显示了自身的独特性。也就是以这种文而化之的情怀,经历了不同的年代,在不同 In many art collection categories, the teapot in the Tibetan community has always been a high degree of attention, over the years by the people’s favorite. As far back as the Ming Dynasty, the teapot proudly celebrated the literati style, and was accompanied by literati, aristocrats and curators in recent centuries. From the modeling, material, technology and other aspects of development, the teapot has always been inseparable from the humanistic thoughts and combination. It not only stood out from the hands of the literati, but also quietly gave birth to flowers in the hands of the literati. Teapot elegance, fun feelings, impressively in the pot shows its own uniqueness. That is to say, this kind of contextualized feelings have gone through different ages and are different