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现代漆画的审美标准长期停留在材料和工艺的评判上,因而缺乏一定的绘画性,扬州漆画也不例外。本文以漆画的“物性”为视角,从它的双重性来阐述其对扬州现代漆画创作的影响。
The aesthetic standards of modern lacquer paintings stay on the judgment of materials and techniques for a long time, so they lack a certain degree of painting. Yangzhou lacquer painting is no exception. From the duality of paint painting ’s “property ”, this paper expounds its influence on the modern lacquer painting creation in Yangzhou.