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在80年代之前,对于师陀小说的研究极其匮乏。直至80年代学术界掀起了一股新时期文学思潮,特别是迈进90年代之后,由于师陀创作的小说在艺术上充满了多样化,这时期他的作品得到了较多文学评论家的关注。对其创作的小说从创作的主题、人物的构思、叙事思想等角度的研究显示出多元开阔的阐述空间,从诸多评论家身上折射出文学史评价尺度和阐释框架的变化;揭示了现代文学的多样性和作家主体性感受及广博繁杂深刻的一个方面,甚而不接受所有框架化的解读方法。
Before the 1980s, the study of Shitou novels was extremely scarce. Until the 1980s, the academic circles set off an upsurge of literary trends in the new era. Especially after the 1990s, due to the diversity of art in Shitou’s novels, his works got the attention of more literary critics. The research on his novels from the perspectives of the theme of creation, the conception of characters and the thinking of narration shows a wide range of expansive space and reflects the changes of the evaluation scale and interpretation framework of literary history from many critics. Diversity and writer’s subjectivity, as well as a wide range of complicated and profound aspects, even without accepting all framed interpretation methods.