此标题中提出的问题是我在1962年出版的《时间的形状》一书的基础。[1]这本书是艺术的历史和艺术人类学二者的交叉性研究,我想在这里讨论它与两个研究领域的关系。让我先试着描述一下我借用的亨利·佛西隆(Henry Focillon)La vie des formes的一些理论问题。[2]令人惊讶的是,关于佛西隆的艺术理论前人研究得很少。在乌德·库特曼(Udo Kultermann)的《Geschichte The question raised in this heading is the basis of my book, Shapes of Time, published in 1962. [1] This book is a cross-cutting study of the history of art and artistic anthropology, and I would like to discuss here its relationship with two fields of research. Let me first try to describe some of the theoretical questions I borrowed from Henry Focillon’s La vie des formes. Surprisingly, there have been few studies on the art theory of Vosilon. In the “Geschichte” by Udo Kultermann