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如果与古希腊和文艺复兴时期那些完美的女性雕像相比较,这位略带野性的“仕女”无疑是粗俗的,甚至是丑陋的。但它所呈现出来的原始、纯真、生命力与神秘感却同样给我们以强烈的审美冲击力。这件观赏石的人物造像厚实丰满,松紧得益,气韵生动,传达出随意与舒展、松弛与张扬的特性;而自然流动的釉面色彩、简洁活泼的团块结构以及合乎趣味的夸张变形则构成了一种既有古典情调,又具现代意义的形式美感。
If compared with the perfect female statues of ancient Greece and the Renaissance, this slightly wild “ladies” is undoubtedly vulgar and even ugly. However, the original, innocence, vitality and mystique it presents also give us a strong aesthetic impact. The statue of this ornamental stone is full, elastic and lively, conveying the characteristics of freedom, stretch, relaxation and publicity. The natural flow of glazed color, simple and lively clumps of structure and interesting exaggerated deformation Constitute a kind of both classical and modern sense of formal beauty.