一沙孟海经历了二十世纪中国社会的风云变幻,观其一生行藏,学者、书家乃其本色。他是一位“技”(艺术创作)和“道”(学术研究)并进、相辅相成的卓越人物。就时代学术来说,他是一位介于“新”与“旧”之间的学者,或者说是新学与旧学的综合体,至少在书学、印学的识度上是如此。早年的沙孟海,在乡塾之外还接受了从小学到师范这样较为完整的学堂教育,接受了较为系统的文史训练,并自觉接受新史学的观念与方法,因此他在一定意 A Sha Menghai experienced the twentieth-century changes in the Chinese society, the concept of his life Tibet, scholars, book home is its true nature. He is a remarkable figure who is both “art” (art creation) and “Taoism” (scholarly research) go hand in hand with each other. As far as academic times go, he is a scholar between “new” and “old”, or a combination of new and old, at least in the study, That’s it. Early Sha Menghai, in addition to the rural school also accepted a more complete school education from primary school to normal school, to accept a more systematic training of history and culture, and consciously accept the concept of new historiography and methods, so he is certain