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在现代文明的冲击下,中国戏曲艺术正逐渐丧失自身的艺术个性,同化现象严重。“古老的戏曲声腔向新生的演唱艺术靠拢,地方小剧种向地方大戏靠拢,地方大戏向影响广泛的京剧、越剧靠拢,京剧、越剧向时尚的话剧、歌剧、舞剧、音乐剧靠拢。”田青说,现在,几乎所有地方戏的伴奏乐队都以“增加低音声部”为名加进了大提琴等西洋乐器,许多“创新”的地方戏都不约而同地请“知名”的影视剧作者编剧、导演,请对此剧种并不了解的作曲家编曲、配器,请电影、话剧出身的舞美运用大量“声、光、电”包装,更加快了地方剧种同质化的趋势。
Under the impact of modern civilization, Chinese opera art is gradually losing its own artistic personality and assimilation is grave. “The old opera vocals moved closer to the singer singing performance, the local operas moved closer to the local operas, the local operas moved to the more influential Peking opera and Yue opera, and the Peking opera and the Yue opera moved closer to fashion dramas, operas, ballets and musicals.” “ Tian Qing said that nowadays, almost all local accompaniment bands have joined the Western cello and other Western musical instruments in the name of ”increasing the bass voice.“ Many ”local“ local operas invariably invited ”famous“ Film and TV drama writer screenwriter, director, please do not know the operas composers arranger, with equipment, please film, drama origin and use of a large number of ”sound, light, electricity " packaging, even faster local drama homogeneity the trend of.