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古琴的琴论“无弦琴”中蕴含着魏晋时期中国传统文艺审美教育的特殊理念。它以王弼、嵇康和郭象对魏晋玄学的论证和阐释为理论依据,构建出一个以“无”之“大音”为艺术形式,是以乐之本体“和”为艺术内容,以具有“魏晋风度”人格为目标的审美教育观念体系。“无弦琴”的审美教育观在消解当代审美教育艺术形式的争论、拓宽当代审美教育的艺术内容选择范围、落实和提升当代审美教育的目标方面具有重要的启示意义。
Guqin piano theory “without strings” contains the special idea of aesthetic education of Chinese traditional literature and art during the Wei and Jin Dynasties. Based on the arguments and interpretations of metaphysics of the Wei and Jin Dynasties by Wang Bi, Ji Kang and Guo Xiang, it constructs a “Dasheng” with “without ” as the artistic form, As the artistic content, with the “Wei and Jin demeanor ” personality as the goal of aesthetic education concept system. The aesthetic education view of “no strings” has important enlightenment meaning in dispelling the controversy of contemporary aesthetic education art form, broadening the range of artistic content of contemporary aesthetic education, and implementing and improving the goal of contemporary aesthetic education.