论文部分内容阅读
南京部队前线话剧团演出的《霓虹灯下的哨兵》,是近年来话剧舞台上的一个重要收获。这个戏,以上海解放初期环境复杂的南京路为背景,通过我军某部的一个连队同暗藏的敌人和形形色色资产阶级思想进行斗争的动人事迹,反映了现实中一场尖锐复杂的阶级斗争,从而令人信服地表明了:在解放了的土地上,公开的拿枪的故人虽然被消灭了,但是阶级斗争并没有结束;相反的,它是以新的和隐蔽的形式继续着。
The “sentinel under the neon lights” performed by the frontline theater troupe of Nanjing Army is an important achievement in the drama stage in recent years. In this scene, taking the Nanjing Road with a complicated environment in the early days of the liberation of Shanghai as the background, the moving story of a company of a certain army unit fighting the hidden enemies and all kinds of bourgeois ideals reflects a sharp and complicated class struggle in reality. Convincingly shows that in the liberated land, the open enemy of the gun was eliminated, but the class struggle did not end; on the contrary, it continued in a new and covert form.