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舍伍德·安德森在其代表作《小城畸人》中塑造了一系列内心压抑的畸人形象。究其根源,畸形人物是当时美国工业化大背景下新旧文化冲突的产物。而作为他者的女性深受男权社会和工业社会的双重压迫,其痛苦境况更是引起了作者的极大关注。舍伍德·安德森对这些女性形象倾注了爱和同情;同时,在这些人物上也表达了他对双性气质的追求,构建了“坦迪”的理想形象,揭示了双性气质共生的可能性。但值得注意的是,他所追求的双性气质和女性作家笔下的雌雄同体的气质存在细微差别。
Sherwood Anderson shaped a series of depraved freaks in his masterpiece The Truth from the Small Town. The root causes and deformities were the product of the conflicts between old and new cultures in the context of the industrialization of the United States at the time. As the other woman, deeply oppressed by patriarchal society and industrial society, the painful situation has aroused the author’s great concern. Sherwood Anderson has devoted love and sympathy to these female images. At the same time, he also expressed his pursuit of bisexuality and constructed the ideal image of “Tandy,” revealing that the bisexuality is symbiotic possibility. However, it is worth noting that there is a slight difference between the temperament pursued by his temperament and that of hermaphrodite by the female writer.